FUCKING THANK YOU.
Of Stephen Colbert, when my generation takes our bloody revenge on those older then us, we’ll make sure to spare you <3
Brazilian model Alexandre Cunha was paired with a three-year-old moptop to showcase Smalto’s matching child-sized and adult tuxedos. Unfortunately, while the pressure of performing didn’t faze the buff Brazilian, his partner broke down in tears as they were striding the catwalk:
Once, I was supposed to close a show with a 3-year-old kid and we both had matching outfits. During rehearsal, everything went as planned, but on the day of the show he started crying halfway down the runway, so in my head I thought, “What am I supposed to do?!” I ended up picking him up and I carried him to the end of the runway.
you’ll make a great father.
You were not the threat you had been made out to be
#natalie dormer’s goddamn physicality with all its aggression and performative lioness grace #jfc #but also how clearly you can see irene adler /was/ moriarty deweaponized; irene adler was still the same woman #the same fearsome intellect; the same sharpened knife wit and talent; just blurred instead of deliberately brought out #and put into performance #irene adler was not a lie; was never a lie; you can see it right here; in how moriarty is so clearly the same woman #just … stripped bare of sociability or obfuscation #she is better than sherlock for the same reason she’s better than irene; her singular bullet-streamlined sense of purpose #to her own will to power; where irene and sherlock have or had no greater overwhelming structural goal with zero moral compunctions #had nothing to weaponize for #she does; and is; a living breathing knife in the dark; because of the work she does; the work she has created and taken upon herself #(but sherlock was her blindspot like she was his; and that’s how she got caught) via okayophelia
THIS SCENE WAS LITERALLY THE TEXTBOOK DEFINITION
that ran through my head when I saw this scene, seriously…